JOERILEY.WORK





joriley@ucsd.edu
@pleasedontfront
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Photo: Natalie Conn

 Joe Riley is an artist, historian, and Ph.D. candidate at UC San Diego Visual Arts in a joint environmental research program with Scripps Institution of Oceanography’s Center for Marine Biodiversity and Conservation. 

  Joe’s research has recently been supported by the Getty Scholars Program, a UCSD Rita L. Atkinson Fellowship, and the UC Humanities Research Institute. His dissertation, Fixing the Sea: Case Studies Toward A Critical Environmental History of Ocean Art and Science since 1970, foregrounds and critically examines histories and practices of interaction between artists, oceanographers, and marine life situated within California’s university-military-research complex.

  From 2020–2025 Joe has been a participating artist and co-curator for the Pacific Standard Time exhibition Embodied Pacific, featuring projects by thirty artists working with researchers in laboratories, field sites, and archives in Southern California and the Pacific Islands. 

  Previously, he was an Ocean Fellow with TBA21-Academy and participated in the Whitney Independent Study Program. Joe holds a BFA from The Cooper Union School of Art and has taught at UC San Diego, Cal State San Marcos, Stevens Institute of Technology, and The Cooper Union.


Woop Woop
2012
36” x 24” x 6”
neon sign, radio scanner
A neon sign reading “Woop Woop” flickers on and off in response to signals received by a police scanner, translating invisible police communications into a visual binary signal. This piece re-allocates official radio communication, normally considered to be off-limits to the public, by translating it from the realm of unheard and unseen authority to the that of urban noise and the visually absurd.