JOERILEY.WORK





joriley@ucsd.edu
@pleasedontfront
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Photo: Natalie Conn

 Joe Riley is an artist, historian, and Ph.D. candidate at UC San Diego Visual Arts in a joint environmental research program with Scripps Institution of Oceanography’s Center for Marine Biodiversity and Conservation. 

  Joe’s research has recently been supported by the Getty Scholars Program, a UCSD Rita L. Atkinson Fellowship, and the UC Humanities Research Institute. His dissertation, Fixing the Sea: Case Studies Toward A Critical Environmental History of Ocean Art and Science since 1970, foregrounds and critically examines histories and practices of interaction between artists, oceanographers, and marine life situated within California’s university-military-research complex.

  From 2020–2025 Joe has been a participating artist and co-curator for the Pacific Standard Time exhibition Embodied Pacific, featuring projects by thirty artists working with researchers in laboratories, field sites, and archives in Southern California and the Pacific Islands. 

  Previously, he was an Ocean Fellow with TBA21-Academy and participated in the Whitney Independent Study Program. Joe holds a BFA from The Cooper Union School of Art and has taught at UC San Diego, Cal State San Marcos, Stevens Institute of Technology, and The Cooper Union.




Passengers of Change: Seaweed Horizons
2023
public workshop, seaweed, wood, herbarium press
 On June 2, 2023, the Scripps Insitution of Oceanography Center for Marine Biodiversity and Conservation (CMBC) hosted “Seaweed Horizons,” a workshop which brought together scholars and scientists from across UC San Diego and the greater San Diego region for interdisciplinary conversations, presentations, and a hands-on workshop about marine algae. Workshop participants learned the process of to gathering samples of invasive seaweeds like Undaria pinnatiffida and Sargassum Horneri from Mission Bay and the San Diego Harbor as well as pressing seaweeds at the lab bench. 

For the workshop, the artist created an wood herbarium bench, which was used in the lab to create large-scale compositions with Undaria and other local kelps.

More about Passengers of Change here, and at www.passengersofchange.com