JOERILEY.WORK





CONTACT

joriley@ucsd.edu

@pleasedontfront
linktr.ee/joeriley
mailing list

ABOUT

Joe Riley is an artist, historian, and Ph.D. candidate at UC San Diego Visual Arts in a joint environmental research program with Scripps Institution of Oceanography’s Center for Marine Biodiversity and Conservation. 

From 2020-2025 Joe has been a participating artist and co-curator for the Pacific Standard Time exhibition Embodied Pacific, featuring projects by thirty artists working with researchers in laboratories, field sites, and archives in Southern California and the Pacific Islands. 

Joe’s scholarship has recently been supported by the Getty Scholars Program, a UCSD Rita L. Atkinson Fellowship, and the UC Humanities Research Institute. His dissertation, Fixing the Sea: Case Studies Toward A Critical Environmental History of Ocean Art and Science since 1970, foregrounds and critically examines histories and practices of interaction between artists, oceanographers, and marine life situated within California’s university-military-research complex.

Previously, he was an Ocean Fellow with TBA21-Academy and participated in the Whitney Independent Study Program. Joe holds a BFA from The Cooper Union School of Art and has taught at UC San Diego, Cal State San Marcos, Stevens Institute of Technology, and The Cooper Union.  
    

CV (2025-26)





Education
Ph.D. Candidate, Art History & Art Practice, UC San Diego Visual Arts 
2019-present

Program for Interdisciplinary Environmental Research, Center for Marine Biodiversity & Conservation, Scripps Institution of Oceanography
2020-present

Whitney Independent Study Program, Whitney Museum of American Art
2016-17

The Cooper Union for the Advancement of Science and Art, School of Art, BFA
2009-13




Fellowships & AwardsGetty Residential Scholar Fellowship, Getty Center, Los Angeles
2025-26

Rita L. Atkinson Graduate Fellowship, UC San Diego
2025-26

Friends of the International Center Endowed Fellowship, Ruth Newmark Award, UC San Diego
2025-26

Suraj Israni Center for Cinematic Arts Fellowship, UC San Diego
2024-25

Russell Grant, Visual Arts Department, UC San Diego
2024-25

Climate Action Training & Dissertation Fellowship, UC Humanities Research Institute
2024

Summer Institute in Environmental Humanities Fellowship, Colby College, Maine
2024

Freida Daum Urey Fellowship, UC San Diego
2023-24

Kenneth & Dorothy Hill Research Fellowship, UC San Diego
2023-24

Getty Research Library Grant Recipient, Getty Research Institute, Los Angeles, CA
2023

International Institute Graduate Research and Travel Grant, UC San Diego
2022-23

Graduate Student Fellow, “Institutional Failure as Global Leadership,” UC Humanities Research Institute
2022

Institute for Practical Ethics Graduate Student Fellowship, UC San Diego
2021-22

Ocean Fellow, TBA21-Academy Ocean Space, Venice, Italy
2020

Foundation for Contemporary Art Emergency Grant, Los Angeles, CA
2020

Competitive EDGE Fellowship, UC San Diego
2019

Socrates Sculpture Park Emerging Artist Fellowship, New York
2018

Interdisciplinary Art & Theory Program Fellow, New York
2018-19

Art & Law Program Fellow, New York
2017

Service to the School Award, Cooper Union School of Art
2013




Exhibitions & Residencies In Plain View: Transforming Freshkills from Landfill to Landscape, Aronson Gallery, Parsons School of Design, New York
2025

Artist-in-Residence aboard R/V Sally Ride Research Cruise,
Scripps Institution of Oceanography, UCSD
2025

Embodied Pacific: Ocean Unseen, Getty Pacific Standard Time Exhibition, UCSD & Birch Aquarium at Scripps
2024

Social Sediment, group show curated by Dane Nakayama and gene aguilar magaña, New Wight Gallery, UCLA
2024

Fruiting Bodies, participating artist with Futurefarmers, group exhibition curated by Sam Rauch, Tanya Bonakdar Gallery, New York
2022

The Mothership Artists Residency, Yto Barrada & ArtAngel, Tangier, Morocco
2022 

A World Without Us, Art Practice Ph.D. Student & Candidate Exhibition, Visual Arts Facility Commons Gallery, UCSD
2021

Climate Changing: On Artists, Institutions, and the Social Environment, participating artist with Futurefarmers, Wexner Center for the Arts, Columbus, OH
2021

2020 Into the Ground: LA, Clockshop, The Bowtie Project, Los Angeles
2020






Conferences & Symposia
Keynote: “Ocean Art Practice & Critical Environmental History: Visualizing Algae & Ballast as Passengers of Change,” Blue Visions: Thinking with Ocean Ecologies across the Arts and Humanities, Center for Environmental Futures, Oregon Humanities Center, University of Oregon.
2025

Displacement & Reparation: Climate, Labor, & Migration Justice Symposium, co-organizer and panelist, presented by UCSD Nature, Space, and Politics.
2025

“Ocean Art History and Critical Infrastructure Studies: Visualizing Liquid Ballast,” IN THE BURROW: Critical Approaches to Infrastructure, UC Irvine.
2024

Ocean Art History and Critical Ecological Practice: Visualizing Algae as a Passenger of Change, Getty Graduate Symposium, Getty Research Institute, Los Angeles.
2024


“Passengers of Change: Co-laboratories for Ocean Art & Science,” When Species Travel Panel, organized by Jonathan Galka and Anthony Medrano, Society for the Social Studies of Science (4S) Meeting, Honolulu, HI.
2023


Horizon Seaweed panel and workshop; co-sponsored by UCSD Nature, Space & Politics Group and Scripps Center for Marine Biodiversity and Conservation.
2023 


Beall Center Art + Ecologies Series: Ocean Research-Creation Panel; Organized by Lauren Lees and Raechel Jasmine Hill; Moderated by Jesse Colin Jackson; Sponsored by UCI Illuminations
2022

“Canoes, Conservation, and Computation,” Getty PST Ocean Prototype Nights Panel, UCSD Design Lab,San Diego, CA.
2021

“Tracing Intertidal Media through the Development of Early Photography,” Interdisciplinary Humanities Graduate Conference: The Production of Space and its Interdisciplinary Study.
2021

“The Engima Of Waves,” part of Soluble Geographies of the Equatorial Pacific, contributor and panelist, TBA-21 Academy Ocean Space.
2020

Introductory notes and facilitation for Finding Perspective: Looking through the waters of the North Atlantic, contributor and panelist, TBA-21 Academy Ocean Space.
2020

Conversation with Yto Barrada and Omar Berrada, Mnemonic Ocean: Monsoons, Memory, and Atlantic Movements, contributor and panelist, TBA-21 Academy Ocean Space.
2020









Last Updated 24.10.31
SELECTED WORK(S)







Managed Retreat No. 1
2024
steel, stone, paint, tires
15” x 16” x 52”

Managed Retreat is a sculptural meditation on current frameworks for moving human infrastructures and settlements away from coastal areas in response to a complex of climate-related crises.



Passengers of Change: Ballast Bench
    2024
    20’ x 20’ x 10’
    steel, rocks, digital collage, ballast water, paint, seaweed
    Birch Aquarium, San Diego

    Taking Undaria pinnatifida (wakame) as a framework for critique of the characterization of species, human and nonhuman, as “non-native” and “invasive,” scientist Danielle McHaskell, artist/writer Joe Riley, and artist Audrey Snyder explore the hydropolitical ecology odistributed seaweed Undaria pinnatifida.



    Passengers of Change: Ballast Stools
      2024
      15” x 15” x 18”
      steel, rocks, plywood, laminate

      Three stools for the Passengers of Change: Ballast Bench project and installation



      Into the Ground: Wastestreams & Fieldwork
      2018
      Steel, canvas, rust
      16’ x 7’ x 5.5’
      Socrates Sculpture Park, New York

      Joe Riley & Audrey Snyder’s collaborative sculpture, Into the Ground, reflects on how urban ecologies uptake and transform contaminants,and how collective bodies realize agency through ground-up organizing. 




      Into the Ground: LA River2019
      Steel, canvas, rust
      16’ x 7’ x 5.5’
      Bowtie Project, Clockshop, Los Angeles






      Wastestreaming
      2018
      digital photography, collage, animation, shovels, printed text 

      Joe Riley and Audrey Snyder identified ninety seven transfer and destination sites for NYC solid waste and recycling material. In 2017-18 they traveled to forty six of these sites, in an effort to trace connectivity between urban and rural concourses in the chain of removal and dispersion of waste: a navigation of the wastestream. The artists composed photographic and stop-animation portraits for each of these interchanges of the waste network.




      The Enigma Of
      2017
      6’x 6’x 8’
      Foam, fiberglass, mirror, PVC pipe, water pump, and essay 

      Two surfboards shaped after a c.1950 hydraulic economic model of a capitalist economic system. The work maps the history of surfing – a complex register of colonialism, military and domestic industry, masculinity, counter and mainstream culture, and the contested space of the shore – against the deployment of marine metaphors as descriptors of capital. 




      Rail Sail
      2016
      Vehicle, video, social sculpture

      A wind-powered railroad vehicle connects urban and rural concourses, guided by chance and desire rather than reason or economy.




      Parallel Cases
      2012
      letterpress, railbike, abandoned railroad  

      In the summer of 2012, collaborators Joe Riley and Audrey Snyder travelled atop abandoned railroads throughout California and Oregon (USA) on a pair of railbikes. Using a small letterpress, some ink, type, and paper they recorded their journey and exploration of two concurrent histories: the demise of railroad infrastructure and the cultural and technological shifts in commercial printing.




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